Entry tags:
i'll be working my hands to the bone
He remembers the first time he drinks wine, in this life.
The red hits the back of his throat, and he's transported to another time completely. It leaves him gasping, nauseous; leaves him unable to touch a bottle because every time he does he sees nothing but ghosts and death and a man he loved more than breathing.
Later, he realizes that as long as it's not red wine he's drinking, he usually remembers more about the Amis and Enjolras than those last horrible days. He already knows it's going to be a problem, but he drinks anyways because there's no one to tell him not to and it's the only way he can see Apollo.
(He's not surprised he's alone. He's the only one out of all of them that didn't deserve heaven; that had needed to be punished with a life alone.
It doesn't stop him from looking, just a little.)
He gives up, eventually. The looking, at least. It takes a few years, but he realizes that there was never any chance he deserved Enjolras, so why would he deserve to find him? It takes a little longer, but the drinking starts to peter off as well (though never entirely) as he figures he doesn't deserve to see the old him, either.
Learning the guitar is another way to keep his hands busy in a way that's not so messy as painting (and he doesn't do much of painting anymore, either, because that's from another life too and clearly if he's here and here alone, then he needed to not be that man as much as possible.) Singing is a logical step after that, and it proceeds from there until he's performing every so often in bars and cafes around the city.
So many of the songs he picks have that sense of melancholy loss to them. It's the only grief he allows himself to feel.
(It's the only time he allows himself to acknowledge how much he still loves the man he'll never be allowed to have.)
The red hits the back of his throat, and he's transported to another time completely. It leaves him gasping, nauseous; leaves him unable to touch a bottle because every time he does he sees nothing but ghosts and death and a man he loved more than breathing.
Later, he realizes that as long as it's not red wine he's drinking, he usually remembers more about the Amis and Enjolras than those last horrible days. He already knows it's going to be a problem, but he drinks anyways because there's no one to tell him not to and it's the only way he can see Apollo.
(He's not surprised he's alone. He's the only one out of all of them that didn't deserve heaven; that had needed to be punished with a life alone.
It doesn't stop him from looking, just a little.)
He gives up, eventually. The looking, at least. It takes a few years, but he realizes that there was never any chance he deserved Enjolras, so why would he deserve to find him? It takes a little longer, but the drinking starts to peter off as well (though never entirely) as he figures he doesn't deserve to see the old him, either.
Learning the guitar is another way to keep his hands busy in a way that's not so messy as painting (and he doesn't do much of painting anymore, either, because that's from another life too and clearly if he's here and here alone, then he needed to not be that man as much as possible.) Singing is a logical step after that, and it proceeds from there until he's performing every so often in bars and cafes around the city.
So many of the songs he picks have that sense of melancholy loss to them. It's the only grief he allows himself to feel.
(It's the only time he allows himself to acknowledge how much he still loves the man he'll never be allowed to have.)

no subject
Maybe saying it out loud will be freeing.
"/I'm not as good at it. I don't get people so excited--/"
That they were willing to die. That doesn't need saying.
no subject
"/Might just mean you haven't-- met the right people yet./"
no subject
(Lots of memories wake him up at night. One memory--one warm small weight--helps him fall asleep again.)
Having his coffee handed over jolts him back into English, a soft thanks and faint smile for the barista handing it over. "But-- you know. It is what it is."
no subject
Or so he hopes, at least, for Enjolras' sake. Accepting his own coffee takes enough time to get his thoughts back together.
"You'll make the best of it, I imagine. You always did."
no subject
"I'm trying." Alain nods toward the corner the other man had just been posted up in playing. "Seems like-- you are too."
no subject
"It's something to do."
no subject
It's a better look on Grantaire--on Reese. It's worn slightly different lines into the infinitely familiar face, now that Alain is looking at it properly.
"That's everything."
no subject
"--Not really."
Not according to him, once upon a time.
no subject
"It goes a hell of a lot farther than I used to think."
no subject
All willing to prove himself because the last time had gone so wrong.
no subject
"It's a different sort of fight, these days."
There's more room.
no subject
It will keep him safer. That's important.
no subject
Other people were much less willing to die for their ideals. Alain hadn't let himself focus on it overly much.
"You have to give people more room."
no subject
A careful shrug.
"Probably for the best."
no subject
Like trying isn't nothing. Like recognizing the small victories isn't nothing.
"You should come to a rally."
no subject
"--Are you sure you know who you're talking to?"
Or, well. Who he used to be.
no subject
"It's different now. And... so're you. So're-- we."
Maybe it would work, this time.
no subject
He's never been someone worthy of his time in any life.
no subject
He has to snap his lips together again, attention flitting over the other man's features searchingly. Part of making up for the end of their last life is surely listening--crediting Grantaire as he never used to. But.
"/I don't think you gave yourself enough credit, then./" His teeth catch the inside of his cheek briefly. "/I know I didn't. And I know that didn't help./"
Not everything is clear, but this much is.
no subject
"/You saw what was there to see./"
It never had been much.
no subject
It isn't his place to tell this person who isn't actually Grantaire his own business. Then again, it's surely more his place to push in this direction than the last.
"/And I don't know if I really did./"
no subject
"/...Don't make too much out of who you saw at-- the end of things./"
no subject
Which, admittedly, had been most clear at the end.
no subject
"/Still means you are. That wasn't-- me./"
no subject
What's left of his coffee is cold, so he finishes it as quickly as he can.
"/I don't mean it was-- you dying for what I believe in. I know it wasn't that./"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)